All Rosalyn LaPier Events

Rosalyn LaPier (Blackfeet/Métis) is an environmental historian and traditional ecological knowledge practitioner. In addition to her role as Professor of Environmental History at the University of Illinois at Urbana-Champaign, she works with Saokio Heritage, a community-based organization on the Blackfeet Reservation that is working to revitalize traditional ecological knowledge and practices, as well as to revitalize the Indigenous languages that are embedded in and with traditional knowledge. In this interview with The Natural History Museum’s Steve Lyons, LaPier discusses the lasting impacts of the US government’s century-long effort to exterminate the culture, language, and religion of her ancestors, as well as the role that she and other Indigenous knowledge keepers are playing in response. 

Steve Lyons (SL) You just published a powerful essay on the history of Native boarding schools in response to President Biden’s official apology for the atrocities committed in these institutions. What are the problems with, limitations of, or even dangers of accepting this kind of symbolic gesture, which reflects what Glen Sean Coulthard calls the “politics of recognition,” a political project that manifests in different countries as truth and reconciliation, land acknowledgments, and so on?

Rosalyn LaPier (RL) In the Fall of 2024, President Biden and Secretary of the Interior Deb Haaland offered an apology to Native American tribes and Native American communities for the atrocities that occurred as part of the Native American boarding school policies. When Haaland was appointed as Secretary of the Interior, she set out to investigate her own agency, the Department of Interior, and to pressure it to acknowledge the harm it has caused. As part of this inquiry, she asked the President for a formal apology. 

Secretary of the Interior Deb Haaland speaks at the final stop of the Red Road to DC, a Totem Pole Journey for the Protection of Sacred Places, organized by the Se’Si’Le (Lummi Nation), Native Organizers Alliance, and The Natural History Museum, Washington, DC, 2021. Photo: Not An Alternative/The Natural History Museum.

Biden’s recent apology addressed the abuses that occurred in Indian boarding schools—physical abuse, mental abuse, sexual abuse. He said that this was one of the horrific chapters in American history. But while this was a historic gesture (in fact, acting Presidents have only apologized for policies towards Native Americans a few times), it was striking to me that neither the President, nor Secretary Haaland used the word “genocide” to describe the boarding school policies. By removing children from their families without consent and taking them to institutions designed to erase their traditional cultural practices, languages, and religions, the US government committed genocide. Numerous historians and other scholars have demonstrated that these schools did not exist to educate children. They existed to erase Indigenousness out of people. This is the definition of genocide.

SL If President Biden was to include the language of genocide in his apology, would this expose the United States to scrutiny, either from the international courts or from Native communities? Would it leave the government more vulnerable to demands for action? And if the US government was to act, what kinds of action would you like to see? 

RL One of the reasons that the United States government does not use the word genocide to describe what happened at the Indian boarding schools is this would set the government up for legal action against it, both internally within the United States, and internationally, where it could be taken to international court. Politicians stay clear of that kind of language because they know that certain words can lead to legal action.

Having said this, what would I like to see out of Biden’s apology? We could start with funding. Oftentimes, when tribes ask the government for funding, they are offered competitive grant funding. What this means is that in order to get funding for revitalizing Indigenous languages, for example, Native Nations will find themselves competing against each other, against NGOs, and against universities. I think that to begin to apologize for its genocidal policies, the United States government should start by providing noncompetitive funding to any tribe that wants funding to revitalize the languages that the boarding schools aimed to exterminate.

The United States government also needs to address the cultural practices that were lost while children were at Indian boarding schools. Beyond language revitalization, I believe the United States should provide noncompetitive funding to support everything from food sovereignty to religious practice to daily life, where a variety of customs and ways of interacting with family and community were lost.

The other thing that needs to be addressed is what people are calling “intergenerational loss.” There are a lot of socioeconomic issues that exist within tribal communities because of the impact of Indian boarding schools—issues that stem from children not knowing how to parent their own children, children who grew up in physical violence now acting out with physical violence, children who grew up with sexual violence now acting out with sexual violence in their own communities. 

SL At the same time as we can criticize Biden’s half-measure, there is something really important in, at the very least, not forgetting. In your work, you emphasize the importance of intergenerational knowledge for the survival and resurgence of Indigenous cultures that have undergone centuries of extermination and assimilation campaigns, all designed to break the generational links that tie Indigenous people to the ways and worldviews of their ancestors. Why does maintaining intergenerational knowledge matter? Perhaps we can discuss this in reference to the teachings in ethnobotany that were passed down to you. Why was it important for you to learn about Native plants and ethnobotany, and does the knowledge you now possess oblige you to pass it on to the next generation? 

RL Multiple generations of my own family attended Indian boarding schools, but despite this, my family was very fortunate. This is because my grandparents grew up in communities and in families where our Native language, the Blackfeet language, was their first language. They came from families that participated and practiced Blackfeet religion. And they also were from families that were what we’d call today “knowledge keepers.” For example, my grandmother was trained to be a “doctor” within our own community. Because of this, I grew up in a family with a lot of knowledge, a lot of religious knowledge and a lot of language. Because we had that foundation, my family was able to continue to share its knowledge of Blackfeet language, religion, and plants with the next generations, even though they were impacted by the legacy of Indian boarding schools. It wasn’t until later in life that I realized that this was definitely not true for a lot of people.

Women elders gathering medicines on the Blackfeet reservation. Photo: Saokio Heritage.

I was fortunate to be able to apprentice with my grandmother and my oldest aunt to learn about ethnobotany and the traditional ecological knowledge of the Blackfeet. So I’m able to now share these teachings with other younger generations. Over the years, as I have done workshops in the community and taught young adults at university, I have found that at some point in young Indigenous people’s self-awareness, they realize that they were born into a colonial system. They realize that they are colonized people, inheriting a long history of land annexation, land removal, and deportation. They learn that the reason they don’t speak their own language is because their language was removed from their family at the boarding schools. They realize that they don’t know about the cosmology or the religion of their own community because of a colonial loss that occurred over time. They also begin to realize that they’re part of a capitalist society. When these things come together, young people wake up and are literally like, “what the heck?” How did this happen? Why was I born into this system of colonization and genocide? This comes as a shock to many young people, who become really angry when they realize what has happened to themselves, their parents, and their families. They are not only angry—they want to push back. 

Increasingly, I’m beginning to see the emergence of a revolutionary mindset among young people, who are not just interested in learning about plants, but learning about plants to figure out how we can separate ourselves from the United States. There are young people who think that we should not be part of the United States. Understanding themselves as a colonized people, they start to see similarities between themselves and other Indigenous people around the world, who are also occupied, whose land is also being annexed, and who are experiencing the same kinds of historic atrocities that happened to their own people. They recognize that they need to do something, they need to change the world that they’re in, and they need to take a step towards revitalizing a lot of things in their own community so that they can be future leaders as our situation evolves in the United States. 

Members of Pueblo Action Alliance hold a banner in front of the Smithsonian Museum of the American Indian at the the final stop of the Red Road to DC, 2021.

SL It is amazing to hear about what this kind of teaching can do to unleash this revolutionary consciousness among young people. For Indigenous people in North America to be able to see themselves in the Palestinian people who are under siege right now, and to see the echoes of the extermination campaigns that their ancestors went through in the ongoing extermination campaign being waged on Gaza is precisely what can make solidarity possible. 

Your essay for our Red Natural History essay series engages the experiences of Indigenous scholars and communities whose practices of recovery and knowledge regeneration either rely on or can be enriched by documents and objects that are held in archives and museums of natural history. I’m wondering if you could shed light on how these collections came to be. Under what terms did museums and archives come to “acquire” so many important and sacred cultural objects from Indigenous Nations across the continent (and the world)? And what did these acquisitions seek to accomplish? 

RL As I was on my own personal journey to learn more about my own community, I was working for a Native language revitalization organization on the Blackfeet Reservation. One of the founders of that organization encouraged me to learn everything I could about my own Tribe. This struck a chord with me. I thought, he’s right—we should be learning everything about our own Tribe, instead of relying on outside scholars as the “experts” about our own communities. As I mentioned earlier, because I was blessed to have come from a family that already had a lot of knowledge, I had a foundation. But then I decided to look at what had been collected in the past—stories, songs, religious knowledge. I wanted to understand how this information had been collected and by whom. This led me to natural history museums, where such collections tend to exist. I went to the American Museum of Natural History (AMNH) in New York and the Smithsonian National Museum of Natural History (SNMNH) in Washington, D.C. 

I should start by saying that there is a really interesting mixture of objects and information in natural history museums. There are stories, songs, and material objects that indigenous people intentionally left behind, and things that were literally stolen by collectors. All of this was written down because most natural history museums are very good at documenting what they have. They have ledger books that list everything that came in and how much they paid, down to the nickel. 

A recording session with Blackfeet leader Mountain Chief led by ethnologist Frances Densmore for the Bureau of American Ethnology, 1916. Photo: Harris & Ewing / Public Domain.

As I explored the collections of the AMNH and SNMNH, I was interested in the question of agency, in what Indigenous people chose to leave behind. When the early ethnographers and collectors came to Tribal communities to collect information, they would ask the questions, but this did not mean that their so-called “informants” had to answer. At least for my own Tribe, the people who were interviewed in the nineteenth and early twentieth centuries overwhelmingly wanted to talk about religion and religious practice. They wanted to discuss how we think about the world that we live in, how we think about the universe and our relationship to the natural world. 

They could have talked about genocide, massacres, and land annexation. And they did talk about those things with the policymakers in Washington, D.C. But when they were being recorded for natural history by ethnologists, they overwhelmingly left behind testimony about their relationship with the universe. They thought that these stories were extremely important to share for future generations.

The flip side of this story of Indigenous agency is much darker. We know that at the same time as they were collecting information about tribes, many natural history museums were also illegally digging up human remains and the funerary objects buried with them. When you’re doing research in a natural history museum, you never know what’s going to be on the next page or in the next folder. On one page you will be reading a story that your grandparents had voluntarily told. On the next, you will be confronted with information about stolen human remains. As a community member, but also as a scholar, you have to prepare yourself for this kind of shock. 

SL Your latest book engages with the way of seeing and understanding the world that oriented your Blackfeet ancestors before and during the early years of colonization. You specify that in the Blackfeet cosmology, “humans did not have any supernatural power of and by themselves. Instead they needed to seek out supernatural power from those beings who had it. The Blackfeet believed that humans had to create alliances with the supernatural to live life to the fullest.” Can you tell us what kind of message, obligations, or ethical relationship to the land, water, and air follow from the cosmology you unpack in the book?

RL As part of their cosmology, as part of their worldview and as part of their religion, the Blackfeet believed that humans did not themselves have any supernatural ability. But there were deities, monsters, animals, plants, and other entities out there in the world with supernatural powers that we could tap into. Within the Blackfeet worldview, there was a certain sense of individuality. People did not have to be religious if they didn’t want to be. People did not have to create alliances with the supernatural realm if they didn’t want to. But if you were a human, you would have a fuller and richer life if you created relationships not just with other humans, but with other entities that existed within our universe. Because of that, it was extremely important in the Blackfeet worldview to create as many good relationships as you possibly could—not just with humans, not just with your family, not just with your community, but also with the supernatural realm. And you had to maintain those relationships. 

We might think about the way we think of friendship today. Many of us try our best to have good relationships with our friends and family, so we do things to maintain those relationships. We take people out to coffee. We go to dinner. We go together to the museum or the movies. Now think about supernatural entities. Native people had to create relationships with a lot of different supernatural entities over the course of their lifetimes and to maintain their relationships with all of those entities. In the same way that humans maintain relationships with other humans, the Blackfeet maintained relationships with supernatural entities who could help us when we needed help in the same way that humans help us when we need help. 

For the most part, the Blackfeet believed that they did not have to “suffer” what was occurring in the natural world. If the wind was too windy, you could stop the wind from blowing. If there was too much rain, you could stop the rain from raining. If there was too much snow, you could stop the snow. If you wanted more sunlight, you could get more sunlight. They believed that you could change everything by having a relationship with a supernatural entity who could help you change it. 

I am really fascinated by the confidence that the Blackfeet had—this idea that they could literally walk out their door and change it all because they maintained good relationships with the supernatural realm. And there are many stories from the past, even within my own family, of people who could control the natural world to benefit their family, their community, and to live a whole and rich life. 

SL  One of the things I’ve noticed is how when you speak about the Blackfeet, you’re speaking in the past tense. This makes me think of a quote from L.P. Hartley that I’ve seen you refer to in several different texts: “the past is a foreign country.” What does it mean in your work to engage the past as a foreign country? And do you think engaging with the foreignness of the past can teach us things about our present? 

RL When I started going to libraries, archives and natural history museums, I was really interested in understanding the world that my grandparents grew up in, as well as the world they were born into. My grandmother was born in 1914. My grandfather was born in 1911. My question was: what did the world of the Blackfeet look like in 1910? When I looked back at that time, it was a foreign country to me. Everybody spoke the Blackfeet language. Everybody practiced the Blackfeet religion, even though they had been on the reservation now for 25 years—an entire generation. It was a completely different place to the reservation I know. In a sense, it was like traveling across the world and going to a completely different country where everybody spoke a different language, practiced different cultural practices, had a different religion, and ate different food than on the reservation that I was literally standing in. The opposite would be true for my grandparents if they were to return today. 

My grandmother lived to be 97, so she did live into the twenty-first century, and by the end of her life, she felt as dislocated in our world as I would have felt in hers. We spoke a different language. We had different cultural practices. Most of us were either not practicing any kind of religion or were Christians. And we ate completely different food. Our present was a foreign country to her.

Sometimes people try to think of Tribal communities as static and unchanging, but this is not true at all. The world that we live in is a world that has been colonized and profoundly impacted by land annexation, land removal, deportation, and genocide. The world my grandparents grew up in was actively being colonized, but it still retained many of the attributes of their own Blackfeet life, world and culture. This difference matters. It is important to allow a place to be its own place, and to resist the temptation to superimpose our 21st century ideas or our own personal experience in our tribal communities back onto earlier times. 

SL It occurs to me that if we understand the past as a foreign country, learning how people saw the world in the past might help us see the present as a foreign country–and thus to denaturalize habits of thought that make capitalist relations between people, and between people and their environments, seem totally natural. This is, in a sense, one of the gambits of what we have been calling “red natural history.” We’re bringing together people who are fashioning tools or drawing on resources that can train us to see the world beyond and beneath the world as it has been ordered by imperialism. You have been involved with this project for a couple of years now, so I wanted to ask: What is “red natural history” to you, and what might it offer us in the present? 

RL I want to start with the key word in “red natural history”—”red.” For the Blackfeet people, as well as for other Indigenous tribes, red is often thought of as a sacred color. For us, the color red is attached to a deity called Natosi, one of the three main kinds of deities that exist in our Blackfeet cosmology. Natosi lives in the sky realm. When Blackfeet people participate in religion and religious practices, they often paint their face or hands red, or they wear red clothing, or they put red on their moccasins to represent this deity. For me, the “red” of “red natural history” is filled with this reference.

Red natural history presents an opportunity for us to reclaim and revitalize a lot of things—from the word “natural history” to the institutions that support the study of the natural world. From time immemorial, Indigenous people have developed relationships with the natural world, as well as scientific knowledge about the natural world—the kinds of observations and insights that natural history museums were built to collect, but that were never taken seriously alongside the observations and insights of Western science. 

I don’t want “natural history” to be a term that only Western science can use. I want Indigenous people to be able to claim it as their own, and I want Indigenous people to claim it as something that we’ve been doing for a very long time. To me, the project of “red natural history” enables us to bring our own Indigenous science to the table, to define and debate what it means for us, but also what it means for the entire world. As we go through the crises we’re facing today, including the global climate crisis, Indigenous science has insights that should not only be shared, but also implemented by people around the world.

Rosalyn LaPier (Blackfeet/MĂ©tis) is an award winning writer, ethnobotanist, environmental activist and Professor of History at University of Illinois Urbana-Champaign. She/they work within Indigenous communities to revitalize Indigenous & traditional ecological knowledge (TEK), to address environmental justice & the climate crisis, and to strengthen public policy for Indigenous languages. The author of Invisible Reality: Storytellers, Storytakers and the Supernatural World of the Blackfeet (2017), she/they are a 2023-2025 Red Natural History Fellow. Rosalyn is an enrolled member of the Blackfeet Tribe of Montana and MĂ©tis.

Tipi on the Fort Belknap Indian Reservation during a ceremony. Photograph by Rosalyn LaPier, courtesy of the author.

Nitawahsin was a large empire or nation-state of the Amskapi Piikani and their sister-states, located almost near the center of North America. Its borders were the Saskatchewan River to the north, Yellowstone River to the south, the Rocky Mountains to the west, and the confluence of the Missouri and Yellowstone rivers to the east. At least for two thousand years, but perhaps longer, the Amskapi Piikani and their sister nations lived in Nitawahsin, and Nitawahsin was recognized by other nation-states and empires on its borders as its own country. Its citizens had their own cultural practices, they spoke their own language, they had their own religion, and they had another way of seeing and relating to the natural world. Nitawahsin also had conflicts with other Indigenous nation-states whose citizens spoke different languages, practiced different religions, and viewed the world through their own unique lens. Then a new country foreign to the Great Plains and from far away arrived in 1804—it was the United States of America. A vast difference in their interactions began as the US did not recognize the Nitawahsin as its own country. The US colonial government failed to recognize Nitawahsin borders and erased its existence with their newly created maps in the nineteenth century. This began with the Louisiana Purchase between France and the US in 1803. The act of staking claim to the physical land of Indigenous peoples also came with the act of staking claim to its vast natural resources and Indigenous knowledge. One way the US staked this claim was to collect data and objects for natural history institutions and possess them within their walls.

The first interaction that the Amskapi Piikani had with the US government was with the military and scientific expedition of Captain Meriwether Lewis and William Clark’s Corps of Discovery. Lewis and Clark illegally trespassed through Nitawahsin, collecting specimens of plants, animals, ethnography, and other natural history without the permission of the Amskapi Piikani. And they did this with the servitude of enslaved peoples. This American scientific methodology, set forth under instructions by President Thomas Jefferson, would continue throughout the nineteenth century as the US government, private museums, and even individuals collected Indigenous materials without Indigenous nation-states’ consent. Their acquisition of tangible and intangible objects for natural history collections over the course of more than a century amounted to a slow violence, “gradually and out of sight” that over time engendered “a delayed destruction” within Indigenous communities.

The first interaction of the US government with the Amskapi Piikani on Nitawahsin—that of a military and scientific expedition extracting natural and cultural resources—formed the basis of their intersecting histories for decades and even centuries to come. From that initial contact with the US, the contours of the Amskapi Pikunni world have been defined by those who came to Nitawahsin to extract objects and knowledge. American perspectives have so overwhelmed the Amskapi Pikunni historical record that the task of deconstructing and reconstructing our history is difficult without also telling the story of the US as the possessor of our stories. As I am doing here.

Scholars argue that “[t]he emergence of the public museum in the 18th and 19th centuries cannot be disentangled from painful histories of colonial subjugation and exploitation,” and that this desire to possess and order “speaks to a broader mindset of western dominion over other cultures—and nature.” That settler-colonial mindset is entangled within the collections themselves and it is difficult to disentangle it even today. Conducting research today requires Indigenous scholars to use objects and histories from natural history museums that were collected in the eighteenth, nineteenth or early twentieth centuries. And it requires us to engage with the troubled past of collecting and cultural genocide, which can be difficult, emotional, or even traumatizing.

Although the American practice of collecting as a tool of colonization and conquest by a nation-state was a new concept to the Amskapi Piikani, the concept of taking objects as individual souvenirs of war was not. They have a word for acquiring objects as a souvenir or a trophy from an enemy—it is inaamaahkaa. The word is a combination of two others, namaa, or bow, and i’taki, or take, and its meaning becomes “taking an enemy’s weapon as a souvenir.” Of course, the Amaskapi Piikani had a different concept of the English words enemy and war than Americans. The Amskapi Piikani words for enemy, kaahtomáán or kaahtomin, come from words that mean, “challenging someone to compete” or “playing against someone in a non-athletic game.” Historically, the Amskapi Piikani thought of “enemies” as opponents in a competition. They embedded the cultural practice of inaamaahkaa or “taking souvenirs from an enemy” within their society. Amskapi Piikani society valued individuals with this skill and enjoyed stories of their adventures. I want to share this information to reinforce that Indigenous peoples also have cultural practices that include acquiring objectsthe American concept.

In the summer of 2018, I researched and wrote a short article on the lives of Amskapi Piikani women and the unique headdress that they wear, kaapoisaamiiksi. I wanted to highlight the dream of an ancient woman that created the headdress, its connection to the supernatural realm, its unfortunate discontinued use due to cultural genocide and colonial subjugation, and its contemporary revival. The kaapoisaamiiksi is revered by Amskapi Piikani women and in recent years they revitalized it as an act of decolonization and to use it for healing and community well-being. Working on this kind of historical research—a story with a happy ending—began an interesting chain of events.

Unexpectedly, I was invited to the Field Museum of Natural History in Chicago to give a talk, which I titled, “Museum Collections: Are They Products of American Settler Colonialism?” The Field Museum was formerly called the Field Columbian Museum of Chicago. It developed during and after the 1893 World’s Columbian Exposition, which celebrated the four hundredth anniversary of the arrival of Christopher Columbus. The fair served as an opportunity for natural history to be collected from Indigenous peoples from all corners of the hemisphere.

While I was at the Field Museum for my talk I asked if they had any kaapoisaamiiksi in the collections, and luckily they had one. At that time they knew little of its history. I was able to view it in their collections, although it remained covered in plastic. I did not write about it or photograph it for my article because I did not see its accession records. My short piece “Her Dream: Blackfeet Women’s Stand-Up Headdress” came out that winter. The curatorial staff at the Field Museum were fascinated by the headdress’s history, and, knowing its story, wanted to spotlight their kaapoisaamiiksi in a small display within a newly renovated section of the museum that opened in May 2022. They asked me and several kaapoisaamiiksi owners to participate in the multi-year process. The Field Museum staff said they would do further research as to the history of the headdress within their own records. In the winter of 2021, two years after my article came out, they researched their owns accession records and shared them.

They learned that the headdress was purchased in 1905, one hundred years after the Corps of Discovery first came to Nitawahsin. A Canadian federal employee in Alberta, Canada sold the headdress to the Field Museum. He sold it along with a small number of items to the museum for $105.00. The buying and selling of Indigenous cultural objects had become increasingly common after a century of interaction since Lewis and Clark. I wrote about this history in Invisible Reality: Storytellers, Storytakers and the Supernatural World of the Blackfeet, and I argued that an “unintended economy” grew that included the selling of objects, stories, or songs to museums and collectors. I called the museum collectors storytakers.

Like other Indigenous scholars, I rely on the records of natural history museums and collections to help tell our stories. These stories often cannot be told outside or separate from the history of dispossession, trauma, and on-going oppression. Even when we want that to be the case. Our history is intimately intertwined with the colonization, cultural genocide, and violence inflicted by the US government and their agents. Using natural history museums requires Indigenous scholars to acknowledge (but not necessarily accept) the Pandora’s box that will be opened by each archival door.

The Field Museum’s records told a darker story as well. Along with the kaapoisaamiiksi, the Canadian official also sold to the Field Museum the human remains of eleven people—for a price higher than the price of the kaapoisaamiiksi. The story of the Field Museum headdress found within the accession records was not the happy ending that I had hoped. It was instead a part of the slow violence of natural history collections. And in addition to the sales receipts and transporting documents the records also held correspondence between the museum and the seller that are perhaps too unsettling, irreverent, and even uncouth to quote from here. Historians will often brush aside these kinds of letters as “a product of their time” in an effort to not address the true violence and white supremacy occurring with the buying and selling of the ancestors of Indigenous people. (See Field Museum of Natural History, Accession Date, August 10, 1905, #940.) And it is just these kinds of documents that remind Indigenous scholars of where we have stood and continue to stand in these histories—as objects. And even as some Indigenous scholars, such as myself, wrestle with these incongruities, others walk away from this system of academia and natural history museums that they view as too tainted to engage.

American natural history museums are “products of their own history,” political, and represent a reality that is embedded in over two hundred years of US history. As early as 1793, Thomas Jefferson was interested in scientific discovery in the West of Indigenous empires. He initially enlisted the help of the French naturalist Andre Michaux to “survey the Missouri River country.” But that fell through. He then commissioned Lewis and Clark as “Linnaean discoverers” who introduced scientific order to Nitawahsin and other Indigenous nation-states. Jefferson directed his men to impress upon Indigenous people the benign nature of their scientific research and to “satisfy them of its innocence.” But to the people of Nitawahsin, the results of Jefferson’s pursuit of science has been anything but harmless. Instead it has ushered in over two centuries a slow violence of extraction and objectification that impacts our community to this day.

I attended the opening of the new Field Museum of Natural History exhibit “Native Truths: Our Voices, Our Stories” on May 21, 2022. The museum collaborated with numerous Indigenous communities and individuals to recreate one of their Native American halls. Several museums are now in the process of similar efforts. Within the larger exhibit at the Field Museum, curators included a display of the kaapoisaamiiksi that they collected and purchased in 1905. The Field Museum invited several women from the Stand Up Headdress Society from both the US and Canada and male singers to do a blessing at the opening. There was a lot of interest by media in the opening and our statewide Montana newspaper and local reservation newspaper did articles focusing just on the kaapoisaamiiksi display. Every Amskapi Piikani person I spoke with or saw on social media was proud to have part of our people represented in the Field Museum new exhibit. We are so often erased in these spaces; it felt good to be represented.

Yet, I remained apprehensive. Was this the end of the story? The story of slow violence by collectors, natural history museums, libraries, and archives?  Natural history museums and archives still hold a significant number of our “artifacts,” the objects of our lifeways, from objects used in daily life to sacred objects used for religious practice. As Indigenous communities, and especially our younger generations, seek to decolonize and revitalize our languages and lifeways that were violently taken from our peoples, why were we celebrating yet another sacred object being possessed behind plexiglass?

Rosalyn LaPier is an award-winning Indigenous writer, ethnobotanist, and environmental activist with a BA in physics and PhD in environmental history. She works within Indigenous communities to revitalize Indigenous and traditional ecological knowledge (TEK), to address environmental justice and the climate crisis, and to strengthen public policy for Indigenous languages. Rosalyn is an enrolled member of the Blackfeet Tribe of Montana and MĂ©tis.

“The Slow Violence of Natural History” was originally published in Periscope: Red Natural History, Social Text (online, February 28, 2023).